![]() ![]() This sort of input LUT support is built in. If I toggle that off to none, you see it goes to the before and the after. ![]() This will allow you, this particular clip was shot on ARRI, so I'm able to choose that. You do have a pop-up menu here, so there is some inherent native support for formats like ARRI, Blackmagic, Canon, Panasonic, and Sony. And remember, with certain formats it has the ability, under the metadata settings, to actually deal with the log processing. So Rob, we're inside of Final Cut Pro 10 here. ![]() In this movie let's talk about how we can add in some additional LUTs through those tools, as well as how we can export LUTs from Final Cut Pro. ![]() Prefer to edit on the go The FiLMiC deFlat and deLog V2 LUTs are pre-bundled with LumaFusion and Video LUT on iOS making grading on mobile a breeze. cube format which ensures it is ready for use in Adobe Premiere Pro Davinci Resolve Final Cut Pro X and other industry standard editing solutions for desktop. Rich, Final Cut Pro 10 is obviously a full-featured app and like other tools, like Premiere Pro and Da Vinci Resolve it can obviously work with LUTs, with in most cases, the aide of some third party tools. The official FiLMiC Pro LUT pack uses the. ![]()
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